Far from being grim, this is a programme full of empathy and humour
Tree, by Idris Elba and Kwame Kwei-Armah, is an incredible immersive experience.
The Candidate uncovers the shady side of politics in a way that has us both rooting for a corrupt leader and revelling in his downfall, says Simon Basketter
There have been many attempts to portray Donald Trump’s presidential election victory and the vote for Britain to leave the European Union as linked.
A new book exposes the corruption and dodgy deals behind the 2012 Olympic Games in London, writes Simon Basketter
The international rise of the right and polarised politics bleeds into the annual theatre and arts festival in the Scottish capital, writes critic Mark Brown
Tate Modern’s retrospective of Olafur Eliasson’s work is a breath of artistic fresh air.
Dark Mon£y is a poignant and compelling drama about sexual abuse, class and the corporate elite in the film industry, say?Dean Ryan and Kate Simon
Midsommar uses all the classic hallmarks of folk horror—but it also has an original touch. It’s certainly not for the faint hearted, writes Gabby Thorpe
A glam rock album on a solid label like Sub Pop should deliver something that’s good fun, musically compelling and—given the singer’s self-professed love of Bob Dylan—lyrically engaging.
Kursk—the Last Mission, tells the story of a Russian submarine disaster in 2000. It is for people who like war and disaster films.
A new book by journalist Stuart Cosgrove uncovers the story of the historic Harlem Cultural Festival. He spoke to Alistair Farrow about its legacy today
The new TV adaptation of Catch 22 captures the ridiculous and unsettling atmosphere of Joseph Heller’s classic novel.
A new exhibition looks at how the Imperial Typewriters dispute played a part in forcing the anti-racist struggle into workplaces across Britain
The story hinges on how private property—in this case a kebab van—creates inequality and distorts the relationships between individuals.
This is an amazing and long-overdue opportunity to see the work of Lee Krasner, a formidable American artist whose importance has often been forgotten.
A film about a family that flees to France from the violence of Central African Republic is a condemnation of the asylum system, writes Charlie Kimber
The imagined words of CLR James to his compatriot Ulric Cross, “You were born in 1917, the year of the Russian Revolution... you were born into freedom,” set the scene for Hero.
Artist Keith Haring’s work came out of the New York graffiti and gay scenes. A new exhibition in Liverpool charts his too-brief career, writes Noel Halifax
The new series of this high octane BBC thriller builds on the complex relationship between spook Eve and assassin Villanelle