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Everybody Wants Some!! is a coming of age drama that sidesteps the genre’s pitfalls


A film about a college baseball team would normally be painful watching, but Everybody Wants Some!! is a funny ode to growing up, writes Andriana Sotiris

Paul Strand exhibition - Capturing the faces of those unseen


Pioneering American photographer Paul Strand gets the recognition that he richly deserves in this new exhibition.

New Stone Roses single lacks band's original menace


Fans of 90s psychedelic rock band The Stone Roses have waited over twenty years for new material.

Rebellion is a drama that breaks the mold


Netflix’s new drama Rebellion, set during the 1916 Easter Rising, has been greeted with much hype. Some of it is justified.

Superheroes and the fight for competing visions of society


Captain America: Civil War asks, ‘Which side are you on?’ While neither side is appealing that doesn’t stop it being entertaining

In the darkroom—looking at how photography developed


The Science Musuem’s exhibition about photographer Fox Talbot’s life is an exciting insight into how art and science developed

Much Ado About Nothing? Why read Shakespeare?


William Shakespeare was more than the royal court’s bard. On the 400th anniversary of his death,?Tomáš Tengely-Evans looks at his real legacy

Dheepan—fighter’s flight is a unique take on war veteran films


The story of the veterans of failed wars has been a Hollywood staple since Vietnam in the 1970s.

Don't miss rare performance of an epic play about Irish revolutionary James Connolly


The Non Stop Connolly show is an important 1975 epic play about the life of the Irish revolutionary James Connolly.

Workers or Shirkers? A BBC show about the poor that’s undeserving of praise


Ian Hislop uses his new programme about people’s attitudes towards benefits to placate his ‘One Nation Tory’ conscience, writes Tomáš Tengely-Evans

Follow the Money—dredging up the evidence of a criminal society


BBC Four’s Danish detective drama Follow the Money serves up an engrossing feast of corporate intrigue and financial skulduggery, writes?Charlie Kimber

Strange and Familiar—taking aim at class society in Britain


This exhibition takes a stand against our rulers’ attempts to make even the starkest poverty and most obscene degradation seem “natural”.

Marcus Barnes—‘You’re never going to stop people writing on the walls’


Graffiti artist turned journalist Marcus Barnes told Alistair Farrow why he’s relaunched magazine Keep the Faith—and why public space needs defending

The bleakest of views from Inside Obama’s White House


A new documentary series examines the legacy of Obama’s presidency, laying bare its failure to deliver the change it promised, writes Josh Hollands

Delacroix and the rise of modern art


This superb exhibition explores early 19th century French painter Eugene Delacroix’s influence on the movements that would later transform modern art.

Hail Caesar! A trifle nostalgic —but who doesn’t like that?


Joel and Ethan Coen’s Hail Caesar! is a playful romp through Hollywood’s “golden age”—a deliberately vague time and idea in the film.

Reviews round-up


This year’s AV Festival focuses on socialism—the most looked-up word in 2015.

Unexpected Eisenstein—sketching the inspiration from revolution in Russia


An exhibition of Sergei Eisenstein’s drawings reveals some of the Soviet film maker’s power and little known aspects of his work, says?Roger Huddle

Murder—not the normal drama, not the usual take on crime


BBC Two’s dark crime drama Murder breaks new ground in an increasingly crowded field.

Since when is a boss of a sweatshop the real victim?


New Chinese film Factory Boss is riddled with problems and contradictions. And its final message is troubling, writes Robbie Shaw

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