Socialist Worker


Get Out - a film that taps into the horror of life in a racist society

This genre-straddling US blockbuster hones in on racism—casual and overt, writes Ken Olende. Also: reviews of Man Down and The Salesman

My Country play brings ordinary voices to the political stage

With six ballot boxes set up on tables towards the back of the stage, My Country—a work in progress, immediately transports you back to 23 June.

The Good Postman—a Bulgarian village where solidarity shone through

The Good Postman documentary is the true story of a missed opportunity.

Hidden Figures offers a high hope that the sky is the limit

Against the backdrop of the Civil Rights Movement, three women in the US space programme defy bigotry in this beautiful film, writes?Saba Shiraz

Reviews round-up

reviews of RAR and an event

If you don’t know Hockney this Tate Britian exhibition is your chance to start

Tate Britain’s huge retrospective on David Hockney that’s just opened shows the artist’s great skill of reaching out to people using art, writes Alan Kenny

Certain Women promises us more than it provides

Certain Women features three women whose stories very slightly intertwine in a small US town.

Despite the curator, Russian artists shine in new exhibit

The Royal Academy’s revolutionary Russian art exhibition is impressive, but the working class is rarely seen as fully active within history

Poking fun at Egypt's rulers and refusing to be silenced

Anne Alexander looks at Tickling Giants, a documentary film about Egyptian satirist Bassem Youssef who refused to be a mouthpiece for the counter-revolution, just one of many award-winning films at the Human Rights Watch Film Festival in London next month

Shipped off and enslaved to build a new world of wealth

The remake of 1970s TV series Roots personalises the struggles that slaves faced and helps expose the roots of racism today, writes?Antony Hamilton

Denial—‘Take the gloves off and call it lying’

Director Mick Jackson told Tomáš Tengely-Evans about his film Denial, the David Irving case it dramatises and the issues it raises today

The Lower Depths shows a society that’s ready to burst

Arcola Theatre’s production of Maxim Gorky’s play captures the contradictions of pre-revolutionary Russia and the potential for change, writes Julie Sherry

The magnificent unknown bluesman—Hayes McMullan

This release ought to ensure McMullan’s rightful place among the better-known Delta greats such as Patton, Robert Johnson, Son House and Willie Brown.

Splinterlands—we need to fight to write a new ending

Also: This House at the Garrick Theatre

From punk to Trump—a compelling introspective

Gee Vaucher’s extensive body of work spanning 50 years reveals one of the best and most political collage artists of the century, writes?Jeff Jackson

Revolting takes aim at Tory privatisation and cuts

This sketch show is pitched as “satirising the state of the nation”.

Hedda Gabler exposes the societal pressure to conform

National Theatre’s contemporary translation of Henrik Ibsen’s play satisfies a taste for melodrama but many will prefer his early work, says?John Baker

The White King tries too much—and fails as a result

The White King is a dystopian family drama. It’s set in a world of great technological advances, but the mass of people are repressed into a peasant-like existence.

The Bronte sisters strove to be judged on their own terms

To Walk Invisible is a thoughtful TV drama but the turmoil and struggle of the time Charlotte, Emily and Anne wrote about doesn’t get a look in, says Sadie Robinson

There are better reads than 1919 on Britain’s year of revolution

The 1917 Russian Revolution was a flaring beacon of hope for working and oppressed people across the globe.

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