This genre-straddling US blockbuster hones in on racism—casual and overt, writes Ken Olende. Also: reviews of Man Down and The Salesman
With six ballot boxes set up on tables towards the back of the stage, My Country—a work in progress, immediately transports you back to 23 June.
The Good Postman documentary is the true story of a missed opportunity.
Against the backdrop of the Civil Rights Movement, three women in the US space programme defy bigotry in this beautiful film, writes?Saba Shiraz
reviews of RAR and an event
Tate Britain’s huge retrospective on David Hockney that’s just opened shows the artist’s great skill of reaching out to people using art, writes Alan Kenny
Certain Women features three women whose stories very slightly intertwine in a small US town.
The Royal Academy’s revolutionary Russian art exhibition is impressive, but the working class is rarely seen as fully active within history
Anne Alexander looks at Tickling Giants, a documentary film about Egyptian satirist Bassem Youssef who refused to be a mouthpiece for the counter-revolution, just one of many award-winning films at the Human Rights Watch Film Festival in London next month
The remake of 1970s TV series Roots personalises the struggles that slaves faced and helps expose the roots of racism today, writes?Antony Hamilton
Director Mick Jackson told Tomáš Tengely-Evans about his film Denial, the David Irving case it dramatises and the issues it raises today
Arcola Theatre’s production of Maxim Gorky’s play captures the contradictions of pre-revolutionary Russia and the potential for change, writes Julie Sherry
This release ought to ensure McMullan’s rightful place among the better-known Delta greats such as Patton, Robert Johnson, Son House and Willie Brown.
Also: This House at the Garrick Theatre
Gee Vaucher’s extensive body of work spanning 50 years reveals one of the best and most political collage artists of the century, writes?Jeff Jackson
This sketch show is pitched as “satirising the state of the nation”.
National Theatre’s contemporary translation of Henrik Ibsen’s play satisfies a taste for melodrama but many will prefer his early work, says?John Baker
The White King is a dystopian family drama. It’s set in a world of great technological advances, but the mass of people are repressed into a peasant-like existence.
To Walk Invisible is a thoughtful TV drama but the turmoil and struggle of the time Charlotte, Emily and Anne wrote about doesn’t get a look in, says Sadie Robinson
The 1917 Russian Revolution was a flaring beacon of hope for working and oppressed people across the globe.