Recorded on the road in a campervan-turned-studio, Amadjar is the ninth album by internationally acclaimed Tuareg nine-piece Tinariwen.
It was written and recorded as the band journeyed from the Moroccan desert to Mauritania, via Southern Morroco, Western Sahara and the Atlantic Coast.
The result sounds as epic and exciting as that journey.
Tinariwen are widely regarded as pioneers of the rebellious Tichumaren sound.
It incorporates a mixture of electric blues with African and Middle-Eastern sounds.
It emerged in North Africa linked to the struggle of the Tuareg people divided by the borders of Mali, Niger and other countries that failed to recognise their traditional homeland.
Amadjar is an example of the longevity and originality of this distinct sound.
Electric guitars weave in and out of traditional percussive instruments.
Raw and passionate solo vocals are juxtaposed with epic group harmonies and call-and-response patterns.
The lyrics may be lost on anyone unfamiliar with the Tuareg language of Tamasheq. But the immediacy and passion can definitely be felt in the richness of the sound of this album.
Wasteland looks at how two generations coped with the destruction of the mining industry.
As we see one generation grind to a halt, we follow the next into the 90s illegal rave scene.
Bringing together dancers, a community cast of singers, brass musicians, archive film footage and rave music, Wasteland tells a story of loss, hope, escapism and survival.
A quietly evocative film
Remaining true to Egypt’s revolution
A photo book that captures a fashion revolution
Shadow of #MeToo hangs over new BBC thriller