During the 1980s, as Margaret Thatcher attacked the working class, photographer David Sinclair travelled Britain taking pictures of people fighting back.
During the 1980s, as Margaret Thatcher attacked the working class, photographer David Sinclair travelled Britain taking pictures of people fighting back.
If I’m So Excited, Pedro Almodovar’s new comedy of a grotesque ruling class, isn’t his best, that’s because the director sets the bar so high says Alan Kenny
If you want to be happy while venting about global inequality, get the new album by Femi Kuti.
Suli Breaks’ videos We Will Not Let Exam Results Decide Our Fate, and, Why I Hate School But Love Education, are definitely worth a listen for anyone nearing exams.
This is a sound installation responding to the racist murder of Stephen Lawrence in south east London in 1993.
The revolutionary label Flying Dutchman Records was launched in 1969 by jazz producer Bob Thiele.
Veteran director Ken Loach’s documentary, released earlier this year, asks how we could build a welfare state after a war but supposedly can’t afford one now.
John Le Carré’s new novel, A Delicate Truth, portrays a state where any crime can be committed if it can be concealed, writes Simon Basketter
In this radio show Eva Hoffman explores the poetry and life of Wladyslaw Szlengel—poet of the Warsaw Ghetto.
Al Byrne has won two tickets to see Mies Julie at the Riverside Theatre in London (Socialist Worker, 13 April).
The remake of cult classic Evil Dead shows us good old fashioned demonic possession without misogynistic, sexual violence says Sally Campbell
