THERE IS no exhibition more exciting than one showing the explosion of artistic expression thrown up by the Russian Revolution of 1917.
Myth, Propaganda and Disaster in Nazi Germany and Contemporary America by Stephen Sewell
Wall Directed by Simone Bitton
A FEROCIOUS murder, seemingly driven by racial hatred, is the background to this film about teenage life below the poverty line.
In my new book, The Defender, the main character, a 14 year old boy called Ian, comes home to find two menacing characters waiting for his dad.
Taking its title from one of Vladimir Mayakovsky’s greatest poems, in which the future poet of the Russian Revolution revealed that he could be as tender hearted as "a cloud in trousers", this play sets out to bring us the story of the man himself.
A huge black screen, dated 1674 and made by skilled Chinese craftsmen, depicts the activities of an enclosed Chinese court. It is a lively scene, rich in decoration and colour, and shows a multitude of characters going about their daily tasks. In the extreme left of the screen are a small group of European merchants.
