Kursk—the Last Mission, tells the story of a Russian submarine disaster in 2000. It is for people who like war and disaster films.
A new book by journalist Stuart Cosgrove uncovers the story of the historic Harlem Cultural Festival. He spoke to Alistair Farrow about its legacy today
The new TV adaptation of Catch 22 captures the ridiculous and unsettling atmosphere of Joseph Heller’s classic novel.
A new exhibition looks at how the Imperial Typewriters dispute played a part in forcing the anti-racist struggle into workplaces across Britain
The story hinges on how private property—in this case a kebab van—creates inequality and distorts the relationships between individuals.
This is an amazing and long-overdue opportunity to see the work of Lee Krasner, a formidable American artist whose importance has often been forgotten.
A film about a family that flees to France from the violence of Central African Republic is a condemnation of the asylum system, writes Charlie Kimber
The imagined words of CLR James to his compatriot Ulric Cross, “You were born in 1917, the year of the Russian Revolution... you were born into freedom,” set the scene for Hero.
Artist Keith Haring’s work came out of the New York graffiti and gay scenes. A new exhibition in Liverpool charts his too-brief career, writes Noel Halifax
The new series of this high octane BBC thriller builds on the complex relationship between spook Eve and assassin Villanelle
Budapest high society basked in a heatwave in the summer of 1913. In Hungarian language drama Sunset, its depravity, decadence—and destruction—lie in the shadows.
A new book about the fight by women to get the vote in the US focuses on voices which are too often left out of mainstream histories, writes?Jan Nielsen
