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The story hinges on how private property—in this case a kebab van—creates inequality and distorts the relationships between individuals.

This is an amazing and long-overdue opportunity to see the work of Lee Krasner, a formidable American artist whose importance has often been forgotten.

A film about a family that flees to France from the violence of Central African Republic is a condemnation of the asylum system, writes Charlie Kimber

The imagined words of CLR James to his compatriot Ulric Cross, “You were born in 1917, the year of the Russian Revolution... you were born into freedom,” set the scene for Hero.

Artist Keith Haring’s work came out of the New York graffiti and gay scenes. A new exhibition in Liverpool charts his too-brief career, writes Noel Halifax

Budapest high society basked in a heatwave in the summer of 1913. In Hungarian language drama Sunset, its depravity, decadence—and destruction—lie in the shadows.

Slowthai wastes no time making clear his disdain for the establishment in Nothing Great About Britain, his debut album.

A new book about the fight by women to get the vote in the US focuses on voices which are too often left out of mainstream histories, writes?Jan Nielsen

Illegalised will disturb you deeply, and that is a good thing.

Beats recounts the Scottish free party scene in this well judged slice of 1990s nostalgia which makes political points too, writes Brian Claffey

Working class parents square off against a middle class teacher in Class, a new play by Iseult Golden and David Horan.

Knock Down The House tells the story of four women standing in the 2018 US mid-term elections.